1976
MATMOTW_1
Saturday, December 25, 1976
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_2
Saturday, December 25, 1976
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_604
Saturday, December 25, 1976
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
1977
MATMOTW_3
Saturday, January 8, 1977
Part 1
With Dan.
MATMOTW_4
Saturday, January 8, 1977
Part 2
With Dan.
MATMOTW_5
Saturday, January 8, 1977
Part 3
With Dan.
MATMOTW_6
Tuesday, January 25, 1977 & Wednesday, January 26, 1977
Part 1
David's piano.
MATMOTW_7
Tuesday, January 25, 1977 & Wednesday, January 26, 1977
Part 2
David's piano.
MATMOTW_8
Tuesday, January 25, 1977 & Wednesday, January 26, 1977
Part 3
David's piano.
MATMOTW_9
Tuesday, January 25, 1977 & Wednesday, January 26, 1977
Part 4
David's piano.
MATMOTW_10
Tuesday, January 25, 1977 & Wednesday, January 26, 1977
Part 5
David's piano.
MATMOTW_14
Thursday, May 5, 1977 & Friday, May 6, 1977
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_15
Thursday, May 5, 1977 & Friday, May 6, 1977
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_16
Thursday, May 5, 1977 & Friday, May 6, 1977
Part 3
Anne's house. Newton, Massachusetts.
MATMOTW_17
Thursday, May 5, 1977 & Friday, May 6, 1977
Part 4
Anne's house. Newton, Massachusetts.
MATMOTW_11
Saturday, May 7, 1977
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_12
Saturday, May 7, 1977
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_13
Saturday, May 7, 1977
Part 3
Anne's house. Newton, Massachusetts.
MATMOTW_18
Saturday, May 7, 1977
Part 4
Anne's house. Newton, Massachusetts.
MATMOTW_19
Saturday, May 7, 1977
Part 5
Anne's house. Newton, Massachusetts.
MATMOTW_20
Saturday, May 7, 1977
Part 6
Anne's house. Newton, Massachusetts.
MATMOTW_23
Monday, May 23, 1977
MATMOTW_21
Tuesday, May 24, 1977
Part 1
MATMOTW_22
Tuesday, May 24, 1977
Part 2
MATMOTW_24
Wednesday, May 25, 1977
Part 1
MATMOTW_25
Wednesday, May 25, 1977
Part 2
MATMOTW_26
Wednesday, May 25, 1977
Part 3
MATMOTW_28
Thursday, May 26, 1977
Part 1
MATMOTW_29
Thursday, May 26, 1977
Part 2
MATMOTW_30
Thursday, May 26, 1977
Part 3
MATMOTW_27
Sunday, May 29, 1977
Part 1
MATMOTW_35
Sunday, May 29, 1977
Part 2
MATMOTW_33
Wednesday, June 1, 1977
Part 1
MATMOTW_34
Wednesday, June 1, 1977
Part 2
MATMOTW_36
Thursday, June 2, 1977
Part 1
MATMOTW_37
Thursday, June 2, 1977
Part 2
MATMOTW_31
Thursday, June 2, 1977
Part 3
MATMOTW_32
Thursday, June 2, 1977
Part 4
MATMOTW_38
Friday, June 3, 1977
Part 1
MATMOTW_39
Friday, June 3, 1977
Part 2
MATMOTW_40
Friday, June 3, 1977
Part 3
MATMOTW_42
Monday, June 6, 1977
Part 1
MATMOTW_43
Monday, June 6, 1977
Part 2
MATMOTW_605
Monday, June 6, 1977
Part 3
MATMOTW_606
Monday, June 6, 1977
Part 4
MATMOTW_607
Monday, June 6, 1977
Part 5
MATMOTW_608
Monday, June 6, 1977
Part 6
MATMOTW_44
Tuesday, June 7, 1977
Part 1
MATMOTW_45
Tuesday, June 7, 1977
Part 2
MATMOTW_46
Tuesday, June 7, 1977
Part 3
MATMOTW_609
Tuesday, June 7, 1977
Part 4
MATMOTW_47
Wednesday, June 8, 1977
Part 1
MATMOTW_48
Wednesday, June 8, 1977
Part 2
MATMOTW_49
Wednesday, June 8, 1977
Part 3
MATMOTW_51
Thursday, June 9, 1977
MATMOTW_50
Friday, June 10, 1977
Part 1
MATMOTW_52
Friday, June 10, 1977
Part 2
MATMOTW_53
Friday, June 10, 1977
Part 3
MATMOTW_54
Friday, June 10, 1977
Part 4
MATMOTW_55
Friday, June 10, 1977
Part 5
MATMOTW_58
Friday, June 17, 1977
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_59
Friday, June 17, 1977
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_60
Friday, June 17, 1977
Part 3
Anne's house. Newton, Massachusetts.
MATMOTW_61
Friday, June 17, 1977
Part 4
Anne's house. Newton, Massachusetts.
MATMOTW_62
Friday, June 17, 1977
Part 5
Anne's house. Newton, Massachusetts.
MATMOTW_56
Saturday, June 18, 1977
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_57
Saturday, June 18, 1977
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_63
Monday, August 22, 1977 & Tuesday, August 23, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_64
Monday, August 22, 1977 & Tuesday, August 23, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_65
Monday, August 22, 1977 & Tuesday, August 23, 1977
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_66
Monday, August 22, 1977 & Tuesday, August 23, 1977
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_67
Monday, August 22, 1977 & Tuesday, August 23, 1977
Part 5
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_68
Monday, August 22, 1977 & Tuesday, August 23, 1977
Part 6
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_69
Thursday, August 25, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_70
Thursday, August 25, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_71
Thursday, August 25, 1977
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_610
Thursday, August 25, 1977
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_611
Thursday, August 25, 1977
Part 5
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_72
Friday, August 26, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_73
Friday, August 26, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_612
Friday, August 26, 1977
Part 3
MATMOTW_613
Friday, August 26, 1977
Part 4
MATMOTW_614
Friday, August 26, 1977
Part 5
MATMOTW_74
Saturday, September 17, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_75
Saturday, September 17, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_76
Saturday, September 17, 1977
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_77
Saturday, September 17, 1977
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_78
Sunday, September 18, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_87
Sunday, September 18, 1977
Part 10
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_88
Sunday, September 18, 1977
Part 11
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_89
Sunday, September 18, 1977
Part 12
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_90
Sunday, September 18, 1977
Part 13
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_91
Sunday, September 18, 1977
Part 14
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_92
Sunday, September 18, 1977
Part 15
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_93
Sunday, September 18, 1977
Part 16
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_79
Sunday, September 18, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_80
Sunday, September 18, 1977
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_81
Sunday, September 18, 1977
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_82
Sunday, September 18, 1977
Part 5
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_83
Sunday, September 18, 1977
Part 6
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_84
Sunday, September 18, 1977
Part 7
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_615
Sunday, September 18, 1977
Part 7
MATMOTW_85
Sunday, September 18, 1977
Part 8
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_86
Sunday, September 18, 1977
Part 9
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_95
Monday, September 19, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_96
Monday, September 19, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_98
Tuesday, September 20, 1977
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_99
Tuesday, September 20, 1977
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_619
Tuesday, September 20, 1977
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_100
Thursday, September 29, 1977
Part 1
MATMOTW_101
Thursday, September 29, 1977
Part 2
MATMOTW_102
Thursday, September 29, 1977
Part 3
MATMOTW_103
Friday, September 30, 1977
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_108
Friday, September 30, 1977
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_109
Friday, September 30, 1977
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_110
Friday, September 30, 1977
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_104
Tuesday, October 4, 1977
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_105
Tuesday, October 4, 1977
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_106
Tuesday, October 4, 1977
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_94
Tuesday, October 4, 1977
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_107
Friday, October 7, 1977
MATMOTW_114
Sunday, October 9, 1977
Part 1
Whiteman Street. Yellow Springs, Ohio.
MATMOTW_115
Sunday, October 9, 1977
Part 2
Whiteman Street. Yellow Springs, Ohio.
MATMOTW_116
Sunday, October 9, 1977
Part 3
Whiteman Street. Yellow Springs, Ohio.
MATMOTW_117
Sunday, October 9, 1977
Part 4
Whiteman Street. Yellow Springs, Ohio.
MATMOTW_97
Tuesday, October 11, 1977
Part 1
MATMOTW_616
Tuesday, October 11, 1977
Part 2
MATMOTW_617
Tuesday, October 11, 1977
Part 3
MATMOTW_618
Tuesday, October 11, 1977
Part 4
MATMOTW_122
Thursday, October 13, 1977
University at Buffalo, New York. Weber piano.
MATMOTW_123
Friday, October 14, 1977
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_118
Friday, October 14, 1977
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_119
Friday, October 14, 1977
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_120
Friday, October 14, 1977
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_121
Friday, October 14, 1977
Part 5
University at Buffalo, New York. Weber piano.
MATMOTW_124
Saturday, October 15, 1977
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_125
Saturday, October 15, 1977
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_126
Thursday, October 20, 1977
Part 1
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_600
Thursday, October 20, 1977
Part 2
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_127
Thursday, October 20, 1977
Part 3
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_128
Thursday, October 20, 1977
Part 4
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_129
Thursday, October 20, 1977
Part 5
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_130
Thursday, October 20, 1977
Part 6
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_131
Thursday, October 20, 1977
Part 7
University at Buffalo, New York. Weber piano (Heintzman). With Polidori.
MATMOTW_132
Friday, October 21, 1977
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_133
Friday, October 21, 1977
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_135
Friday, October 21, 1977
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_113
Wednesday, October 26, 1977
MATMOTW_41
Friday, October 28, 1977
MATMOTW_136
Saturday, October 29, 1977
MATMOTW_138
Monday, October 31, 1977
Part 1
MATMOTW_139
Monday, October 31, 1977
Part 2
MATMOTW_137
Monday, October 31, 1977
Part 3
MATMOTW_111
1977-10-Unknown
Part 1
MATMOTW_112
1977-10-Unknown
Part 2
MATMOTW_141
Tuesday, November 1, 1977
MATMOTW_143
Wednesday, November 2, 1977
Part 1
MATMOTW_144
Wednesday, November 2, 1977
Part 2
MATMOTW_142
Thursday, November 3, 1977
MATMOTW_147
Sunday, November 6, 1977
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_148
Sunday, November 6, 1977
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_150
Thursday, November 10, 1977
MATMOTW_149
Sunday, November 13, 1977
MATMOTW_620
Sunday, November 13, 1977
MATMOTW_151
Monday, November 14, 1977
MATMOTW_145
Tuesday, November 15, 1977
Part 1
MATMOTW_146
Tuesday, November 15, 1977
Part 2
MATMOTW_156
Tuesday, November 15, 1977
Part 3
MATMOTW_152
Wednesday, November 16, 1977
Part 1
MATMOTW_157
Wednesday, November 16, 1977
Part 2
MATMOTW_158
Wednesday, November 16, 1977
Part 3
MATMOTW_160
Wednesday, November 16, 1977
Part 4
MATMOTW_134
Sunday, November 20, 1977
MATMOTW_159
Wednesday, November 23, 1977
Part 1
MATMOTW_140
Wednesday, November 23, 1977
Part 2
MATMOTW_162
Monday, November 28, 1977
MATMOTW_161
Tuesday, November 29, 1977
MATMOTW_165
Wednesday, November 30, 1977
MATMOTW_163
Saturday, December 3, 1977
MATMOTW_164
Monday, December 5, 1977
Part 1
MATMOTW_166
Monday, December 5, 1977
Part 2
MATMOTW_167
Tuesday, December 6, 1977
MATMOTW_168
Wednesday, December 7, 1977
Part 1
MATMOTW_170
Wednesday, December 7, 1977
Part 2
MATMOTW_169
Wednesday, December 7, 1977
Part 3
MATMOTW_172
Monday, December 12, 1977
MATMOTW_175
Friday, December 16, 1977
MATMOTW_173
Sunday, December 18, 1977
Part 1
The Kitchen. New York, New York.
MATMOTW_176
Sunday, December 18, 1977
Part 2
The Kitchen. New York, New York.
MATMOTW_177
Sunday, December 18, 1977
Part 3
The Kitchen. New York, New York.
MATMOTW_174
Sunday, December 18, 1977
Part 4
The Kitchen. New York, New York.
MATMOTW_178
Monday, December 26, 1977
MATMOTW_182
Tuesday, December 27, 1977 & Wednesday, December 28, 1977
Part 1
MATMOTW_621
Tuesday, December 27, 1977 & Wednesday, December 28, 1977
Part 2
MATMOTW_179
Tuesday, December 27, 1977
Part 1
MATMOTW_180
Tuesday, December 27, 1977
Part 2
MATMOTW_181
Wednesday, December 28, 1977
MATMOTW_186
Thursday, December 29, 1977
Part 1
The Kitchen. New York, New York.
MATMOTW_185
Thursday, December 29, 1977
Part 2
The Kitchen. New York, New York.
MATMOTW_184
Thursday, December 29, 1977
Part 3
The Kitchen. New York, New York.
MATMOTW_183
Thursday, December 29, 1977
Part 4
The Kitchen. New York, New York.
MATMOTW_188
Thursday, December 29, 1977
Part 5
Tiding Over'. The Kitchen. New York, New York.
MATMOTW_189
Thursday, December 29, 1977
Part 6
Tiding Over'. The Kitchen. New York, New York.
MATMOTW_187
Thursday, December 29, 1977
Part 7
Tiding Over'. The Kitchen. New York, New York.
MATMOTW_622
Thursday, December 29, 1977
Part 8
Tiding Over'. The Kitchen. New York, New York.
MATMOTW_190
Friday, December 30, 1977
Part 1
The Kitchen. New York, New York.
MATMOTW_191
Friday, December 30, 1977
Part 2
The Kitchen. New York, New York.
MATMOTW_192
Friday, December 30, 1977
Part 3
Tiding Over'. The Kitchen. New York, New York.
MATMOTW_193
Friday, December 30, 1977
Part 4
Tiding Over'. The Kitchen. New York, New York.
1978
MATMOTW_195
Sunday, January 1, 1978
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_196
Sunday, January 1, 1978
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_194
Sunday, January 1, 1978
Part 3
Anne's house. Newton, Massachusetts.
MATMOTW_197
Sunday, January 1, 1978
Part 4
Anne's house. Newton, Massachusetts.
MATMOTW_198
Sunday, January 1, 1978
Part 5
Anne's house. Newton, Massachusetts.
MATMOTW_199
Monday, January 2, 1978
MATMOTW_171
Friday, January 13, 1978
MATMOTW_200
Thursday, January 19, 1978
MATMOTW_204
Friday, January 20, 1978
MATMOTW_205
Saturday, January 21, 1978
MATMOTW_206
Sunday, January 22, 1978
Part 1
MATMOTW_207
Sunday, January 22, 1978
Part 2
MATMOTW_208
Monday, January 23, 1978
Part 1
MATMOTW_209
Monday, January 23, 1978
Part 2
MATMOTW_623
Monday, January 23, 1978
Part 3
MATMOTW_210
Tuesday, January 24, 1978
Part 1
MATMOTW_601
Tuesday, January 24, 1978
Part 2
MATMOTW_211
Tuesday, January 24, 1978
Part 3
MATMOTW_201
1978-01-Unknown
Part 1
MATMOTW_202
1978-01-Unknown
Part 2
MATMOTW_203
1978-01-Unknown
Part 3
MATMOTW_213
Monday, February 6, 1978
Part 1
MATMOTW_212
Monday, February 6, 1978
Part 2
MATMOTW_624
Monday, February 6, 1978
Part 3
MATMOTW_214
Thursday, March 2, 1978
Pacific Film Archive. Berkeley, California.
MATMOTW_216
Saturday, March 18, 1978
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_217
Saturday, March 18, 1978
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_215
Saturday, March 18, 1978
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_218
Saturday, March 18, 1978
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano. With Dan.
MATMOTW_219
Saturday, March 18, 1978
Part 5
Conrad family home. Baldwin, Maryland. Steinway piano. With Dan.
MATMOTW_220
Saturday, March 18, 1978
Part 6
Conrad family home. Baldwin, Maryland. Steinway piano. With Dan.
MATMOTW_221
Sunday, March 19, 1978
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_222
Sunday, March 19, 1978
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano. With Dan.
MATMOTW_223
Sunday, March 19, 1978
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano. With Dan.
MATMOTW_225
Sunday, March 19, 1978
Part 4
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_226
Sunday, March 19, 1978
Part 5
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_224
Monday, March 20, 1978
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_227
Saturday, March 25, 1978
Part 1
Anne's house. Newton, Massachusetts.
MATMOTW_228
Saturday, March 25, 1978
Part 2
Anne's house. Newton, Massachusetts.
MATMOTW_229
Saturday, March 25, 1978
Part 3
Anne's house. Newton, Massachusetts.
MATMOTW_230
Saturday, March 25, 1978
Part 4
Anne's house. Newton, Massachusetts.
MATMOTW_231
Wednesday, April 26, 1978
MATMOTW_233
Sunday, June 25, 1978
Part 1
MATMOTW_234
Sunday, June 25, 1978
Part 2
MATMOTW_237
Tuesday, June 27, 1978
MATMOTW_235
Wednesday, June 28, 1978
Part 1
MATMOTW_236
Wednesday, June 28, 1978
Part 2
MATMOTW_238
Thursday, June 29, 1978
Part 1
MATMOTW_239
Thursday, June 29, 1978
Part 2
MATMOTW_241
Thursday, June 29, 1978
Part 3
MATMOTW_240
Monday, July 3, 1978
Part 1
MATMOTW_242
Monday, July 3, 1978
Part 2
MATMOTW_243
Monday, July 3, 1978
Part 3
MATMOTW_244
Tuesday, July 4, 1978
Part 1
MATMOTW_625
Tuesday, July 4, 1978
Part 2
MATMOTW_626
Tuesday, July 4, 1978
Part 3
MATMOTW_627
Tuesday, July 4, 1978
Part 4
MATMOTW_246
Thursday, July 6, 1978
Part 1
MATMOTW_247
Thursday, July 6, 1978
Part 2
MATMOTW_248
Thursday, July 6, 1978
Part 3
MATMOTW_245
Sunday, July 9, 1978
MATMOTW_249
Tuesday, July 11, 1978
Part 1
MATMOTW_250
Tuesday, July 11, 1978
Part 2
MATMOTW_251
Tuesday, July 11, 1978
Part 3
MATMOTW_252
Tuesday, July 11, 1978
Part 4
MATMOTW_253
Tuesday, July 11, 1978
Part 5
MATMOTW_254
Tuesday, July 11, 1978
Part 6
MATMOTW_255
Wednesday, July 12, 1978
Part 1
MATMOTW_256
Wednesday, July 12, 1978
Part 2
MATMOTW_257
Wednesday, July 19, 1978
Part 1
MATMOTW_258
Wednesday, July 19, 1978
Part 2
MATMOTW_259
Wednesday, July 19, 1978
Part 3
MATMOTW_260
Monday, July 24, 1978
Part 4
MATMOTW_261
Wednesday, July 26, 1978
Part 1
MATMOTW_262
Wednesday, July 26, 1978
Part 2
MATMOTW_263
Thursday, July 27, 1978
Part 1
MATMOTW_264
Thursday, July 27, 1978
Part 2
MATMOTW_265
Wednesday, August 2, 1978
Part 1
MATMOTW_269
Thursday, August 3, 1978 & Friday, August 4, 1978
MATMOTW_266
Thursday, August 3, 1978
Part 2
MATMOTW_267
Friday, August 4, 1978
Part 1
MATMOTW_268
Friday, August 4, 1978
Part 2
MATMOTW_271
Tuesday, August 8, 1978
Part 1
MATMOTW_628
Tuesday, August 8, 1978
Part 2
MATMOTW_270
Thursday, August 10, 1978
MATMOTW_274
Monday, September 4, 1978 & Tuesday, September 5, 1978
Yellow Springs, Ohio. Ted's piano.
MATMOTW_276
Wednesday, September 20, 1978
MATMOTW_279
Friday, September 22, 1978
MATMOTW_280
Wednesday, September 27, 1978
MATMOTW_273
1978-09-Unknown
MATMOTW_281
Thursday, October 5, 1978
MATMOTW_277
Friday, October 13, 1978 & Saturday, October 14, 1978
Part 1
MATMOTW_278
Friday, October 13, 1978 & Saturday, October 14, 1978
Part 2
MATMOTW_285
Tuesday, October 24, 1978
MATMOTW_287
Thursday, October 26, 1978
Part 1
Unknown public library. Electric piano.
MATMOTW_288
Thursday, October 26, 1978
Part 2
Unknown public library. Electric piano.
MATMOTW_289
Friday, October 27, 1978
Part 1
MATMOTW_290
Friday, October 27, 1978
Part 2
MATMOTW_272
1978-10-Unknown
MATMOTW_629
1978-10-Unknown
MATMOTW_291
Wednesday, November 1, 1978
MATMOTW_292
Sunday, November 5, 1978
Part 1
MATMOTW_293
Sunday, November 5, 1978
Part 2
MATMOTW_282
Monday, November 6, 1978
MATMOTW_294
Thursday, November 16, 1978
Part 1
MATMOTW_296
Thursday, November 16, 1978
Part 2
MATMOTW_297
Friday, November 17, 1978
Part 1
Media Study storefront. University at Buffalo, New York. Weber piano. With Andre and John.
MATMOTW_298
Friday, November 17, 1978
Part 2
Media Study storefront. University at Buffalo, New York. Weber piano. With Andre and John.
MATMOTW_299
Friday, November 24, 1978
Part 1
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_300
Friday, November 24, 1978
Part 2
Conrad family home. Baldwin, Maryland. Steinway piano.
MATMOTW_630
Friday, November 24, 1978
Part 3
Conrad family home. Baldwin, Maryland. Steinway piano.
1979
MATMOTW_301
Monday, January 15, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_302
Monday, January 15, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_303
Monday, January 15, 1979
Part 3
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_304
Tuesday, January 16, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_305
Tuesday, January 16, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_306
Tuesday, January 16, 1979
Part 3
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_631
Tuesday, January 16, 1979
Part 4
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_307
Wednesday, January 17, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_308
Wednesday, January 17, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_309
Thursday, January 18, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_310
Thursday, January 18, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_311
Saturday, January 20, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_312
Saturday, January 20, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_317
Sunday, January 21, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_318
Sunday, January 21, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_315
Sunday, January 21, 1979
Part 3
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_316
Sunday, January 21, 1979
Part 4
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_319
Monday, January 22, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_320
Monday, January 22, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_321
Tuesday, January 23, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_322
Tuesday, January 23, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_314
Tuesday, January 23, 1979
Part 3
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_323
Wednesday, January 24, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_324
Wednesday, January 24, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_632
Wednesday, January 24, 1979
Part 3
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_313
Thursday, January 25, 1979
MATMOTW_325
Monday, February 5, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_326
Monday, February 5, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_329
Tuesday, February 13, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_633
Tuesday, February 13, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_328
Monday, February 26, 1979
MATMOTW_330
Tuesday, February 27, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_331
Tuesday, February 27, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_332
Wednesday, February 28, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_333
Wednesday, February 28, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_334
Wednesday, February 28, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_335
Wednesday, February 28, 1979
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_338
Monday, March 19, 1979
MATMOTW_336
Thursday, March 22, 1979
Part 1
MATMOTW_337
Thursday, March 22, 1979
Part 2
MATMOTW_339
Friday, April 6, 1979
Part 1
MATMOTW_340
Friday, April 6, 1979
Part 2
MATMOTW_341
Wednesday, April 25, 1979
Part 1
Peterborough, Ontario.
MATMOTW_342
Wednesday, April 25, 1979
Part 2
Peterborough, Ontario.
MATMOTW_634
Wednesday, April 25, 1979
Part 3
Peterborough, Ontario.
MATMOTW_343
Sunday, May 20, 1979
Part 1
MATMOTW_344
Sunday, May 20, 1979
Part 2
MATMOTW_345
Sunday, May 20, 1979
Part 3
With Andre.
MATMOTW_346
Sunday, May 20, 1979
Part 4
With Andre.
MATMOTW_347
Monday, May 21, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_348
Monday, May 21, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_349
Monday, May 21, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_350
Wednesday, May 23, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_351
Wednesday, May 23, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_352
Wednesday, May 23, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_353
Wednesday, May 23, 1979
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_354
Thursday, May 24, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_355
Thursday, May 24, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_356
Thursday, May 24, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_357
Sunday, May 27, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_358
Sunday, May 27, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_635
Sunday, May 27, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_359
Monday, May 28, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_360
Monday, May 28, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_361
Monday, May 28, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_365
Saturday, June 2, 1979
Part 1
David's cimbalom.
MATMOTW_366
Saturday, June 2, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_363
Sunday, June 3, 1979
David's cimbalom.
MATMOTW_362
Monday, June 4, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_663
Monday, June 4, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_364
Tuesday, June 5, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_367
Wednesday, June 6, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_368
Wednesday, June 6, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_369
Wednesday, June 6, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_370
Monday, June 11, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_371
Monday, June 11, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_372
Monday, June 11, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_373
Tuesday, June 12, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_374
Tuesday, June 12, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_375
Tuesday, June 12, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_376
Tuesday, June 12, 1979
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_377
Wednesday, June 13, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_379
Wednesday, June 13, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_381
Thursday, June 14, 1979
The Kitchen. New York, New York.
MATMOTW_382
Monday, June 18, 1979 & Monday, August 20, 1979
Part 1
MATMOTW_383
Monday, June 18, 1979 & Monday, August 20, 1979
Part 2
MATMOTW_384
Monday, June 18, 1979 & Monday, August 20, 1979
Part 3
MATMOTW_385
Monday, June 18, 1979 & Monday, August 20, 1979
Part 4
MATMOTW_386
Monday, June 18, 1979 & Monday, August 20, 1979
Part 5
MATMOTW_387
Monday, June 18, 1979 & Monday, August 20, 1979
Part 6
MATMOTW_388
Tuesday, June 19, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_389
Tuesday, June 19, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_390
Tuesday, June 19, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_391
Friday, June 29, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_392
Friday, June 29, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_393
Friday, June 29, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_396
Monday, July 16, 1979 & Tuesday, July 17, 1979
MATMOTW_394
1979-07-Unknown
Part 1
MATMOTW_395
1979-07-Unknown
Part 2
MATMOTW_399
Sunday, August 5, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_398
Monday, August 6, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_402
Tuesday, August 7, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_636
Tuesday, August 7, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_400
Wednesday, August 8, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_401
Wednesday, August 8, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_403
Wednesday, August 8, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_404
Wednesday, August 8, 1979
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_405
Wednesday, August 8, 1979
Part 5
University at Buffalo, New York. Weber piano.
MATMOTW_637
Wednesday, August 8, 1979
Part 6
University at Buffalo, New York. Weber piano.
MATMOTW_406
Monday, August 13, 1979
WYSO radio station. Antioch College. Yellow Springs, Ohio.
MATMOTW_407
Thursday, August 16, 1979 & Saturday, August 18, 1979
Part 1
WYSO radio station. Antioch College. Yellow Springs, Ohio.
MATMOTW_408
Thursday, August 16, 1979 & Saturday, August 18, 1979
Part 2
WYSO radio station. Antioch College. Yellow Springs, Ohio.
MATMOTW_409
Saturday, August 18, 1979
Part 1
Yellow Springs, Ohio. Ted's piano.
MATMOTW_410
Saturday, August 18, 1979
Part 2
Yellow Springs, Ohio. Ted's piano.
MATMOTW_411
Saturday, August 18, 1979
Part 3
Yellow Springs, Ohio. Ted's piano.
MATMOTW_412
Monday, August 20, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_414
Wednesday, August 22, 1979 & Tuesday, September 4, 1979
Part 1
MATMOTW_415
Wednesday, August 22, 1979 & Tuesday, September 4, 1979
Part 2
MATMOTW_416
Wednesday, August 22, 1979 & Tuesday, September 4, 1979
Part 3
MATMOTW_417
Wednesday, August 22, 1979 & Tuesday, September 4, 1979
Part 4
MATMOTW_418
Wednesday, August 22, 1979 & Tuesday, September 4, 1979
Part 5
MATMOTW_419
Thursday, August 23, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_420
Thursday, August 23, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_421
Saturday, August 25, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_422
Saturday, August 25, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_423
Monday, September 3, 1979
MATMOTW_424
Tuesday, September 4, 1979
MATMOTW_425
Wednesday, September 5, 1979
MATMOTW_426
Tuesday, October 16, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_638
Tuesday, October 16, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_427
Thursday, October 18, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_430
Monday, October 22, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_639
Monday, October 22, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_428
Thursday, October 25, 1979
Part 1
MATMOTW_429
Thursday, October 25, 1979
Part 2
MATMOTW_640
Thursday, October 25, 1979
Part 3
MATMOTW_431
Friday, October 26, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_432
Friday, October 26, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_433
Sunday, October 28, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_434
Sunday, October 28, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_641
Sunday, October 28, 1979
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_436
Sunday, November 4, 1979
Part 1
PS1. Long Island City, New York. Steinway piano.
MATMOTW_438
Sunday, November 4, 1979
Part 2
PS1. Long Island City, New York. Steinway piano.
MATMOTW_439
Sunday, November 4, 1979
Part 3
David's cimbalom.
MATMOTW_437
Saturday, November 10, 1979
MATMOTW_440
Friday, November 16, 1979
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_441
Friday, November 16, 1979
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_442
Sunday, November 18, 1979
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_443
Wednesday, November 21, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York. Stuyvesant Pianola piano.
MATMOTW_444
Wednesday, November 21, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York. Stuyvesant Pianola piano.
MATMOTW_445
Saturday, November 24, 1979 & Sunday, November 25, 1979
Part 1
Antioch College. Yellow Springs, Ohio.
MATMOTW_602
Saturday, November 24, 1979 & Sunday, November 25, 1979
Part 2
Antioch College. Yellow Springs, Ohio.
MATMOTW_603
Saturday, November 24, 1979 & Sunday, November 25, 1979
Part 3
Antioch College. Yellow Springs, Ohio.
MATMOTW_447
Saturday, December 1, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York. Farfisa organ.
MATMOTW_642
Saturday, December 1, 1979
Part 2
Hallwalls Contemporary Art Center. Buffalo, New York. Farfisa organ.
MATMOTW_448
Sunday, December 2, 1979
University at Buffalo, New York. Weber piano.
MATMOTW_446
Friday, December 7, 1979
Part 1
Hallwalls Contemporary Art Center. Buffalo, New York.
MATMOTW_451
Friday, December 7, 1979
Part 2
Albany, New York.
1980
MATMOTW_452
Sunday, January 13, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_453
Sunday, January 13, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_449
Tuesday, January 15, 1980
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_450
Tuesday, January 15, 1980
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_454
Wednesday, January 16, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_455
Wednesday, January 16, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_643
Wednesday, January 16, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_456
Friday, January 18, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_457
Friday, January 18, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_644
Friday, January 18, 1980
Part 3
University of California, San Diego. Yamaha piano.
MATMOTW_645
Friday, January 18, 1980
Part 4
University of California, San Diego. Yamaha piano.
MATMOTW_458
Tuesday, January 22, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_459
Tuesday, January 22, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_460
Thursday, January 24, 1980
University of California, San Diego. Yamaha piano.
MATMOTW_461
Wednesday, February 27, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_462
Wednesday, February 27, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_463
Wednesday, March 5, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_464
Wednesday, March 5, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_646
Wednesday, March 5, 1980
Part 3
University of California, San Diego. Yamaha piano.
MATMOTW_465
Friday, March 7, 1980
University of California, San Diego. Yamaha piano.
MATMOTW_466
Sunday, April 27, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_467
Sunday, April 27, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_468
Monday, April 28, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_469
Monday, April 28, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_470
Tuesday, April 29, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_471
Tuesday, April 29, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_472
Wednesday, April 30, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_473
Wednesday, April 30, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_474
Friday, May 2, 1980
Part 1
University of California, San Diego. Yamaha piano.
MATMOTW_475
Friday, May 2, 1980
Part 2
University of California, San Diego. Yamaha piano.
MATMOTW_476
Friday, May 2, 1980
Part 3
University of California, San Diego. Yamaha piano.
MATMOTW_477
Monday, May 5, 1980
Part 1
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_478
Monday, May 5, 1980
Part 2
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_479
Monday, May 5, 1980
Part 3
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_480
Tuesday, May 6, 1980
Part 1
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_481
Tuesday, May 6, 1980
Part 2
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_482
Wednesday, May 7, 1980
Part 1
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_483
Wednesday, May 7, 1980
Part 2
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_484
Thursday, May 8, 1980
Part 1
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_485
Thursday, May 8, 1980
Part 2
Third Street Music School. New York, New York. Steinway piano.
MATMOTW_486
Friday, May 9, 1980
Part 1
The Kitchen. New York, New York.
MATMOTW_487
Friday, May 9, 1980
Part 2
The Kitchen. New York, New York.
MATMOTW_488
Friday, May 9, 1980
Part 3
The Kitchen. New York, New York.
MATMOTW_489
Saturday, May 10, 1980
Part 1
The Kitchen. New York, New York.
MATMOTW_490
Saturday, May 10, 1980
Part 2
The Kitchen. New York, New York.
MATMOTW_647
Saturday, May 10, 1980
Part 2
The Kitchen. New York, New York.
MATMOTW_491
Monday, May 12, 1980
Part 1
University of California, San Diego. Yamaha 136 piano.
MATMOTW_492
Monday, May 12, 1980
Part 2
University of California, San Diego. Yamaha 136 piano.
MATMOTW_493
Friday, May 23, 1980
Part 1
University of California, San Diego. Yamaha CLP 133 piano.
MATMOTW_494
Friday, May 23, 1980
Part 2
University of California, San Diego. Yamaha CLP 133 piano.
MATMOTW_495
Friday, May 23, 1980
Part 3
University of California, San Diego. Yamaha CLP 133 piano.
MATMOTW_496
Monday, May 26, 1980
Part 1
With Barb.
MATMOTW_497
Monday, May 26, 1980
Part 2
With Barb.
MATMOTW_648
Monday, May 26, 1980
Part 3
With Barb.
MATMOTW_498
Tuesday, May 27, 1980
Part 1
University of California, San Diego. Yamaha 140 piano.
MATMOTW_499
Tuesday, May 27, 1980
Part 2
University of California, San Diego. Yamaha 140 piano.
MATMOTW_500
Tuesday, May 27, 1980
Part 3
University of California, San Diego. Yamaha 140 piano.
MATMOTW_501
Thursday, May 29, 1980
Part 1
University of California, San Diego. Yamaha 140 piano.
MATMOTW_502
Thursday, May 29, 1980
Part 2
University of California, San Diego. Yamaha 140 piano.
MATMOTW_649
Thursday, May 29, 1980
Part 3
University of California, San Diego. Yamaha 140 piano.
MATMOTW_650
Thursday, May 29, 1980
Part 4
University of California, San Diego. Yamaha 140 piano.
MATMOTW_651
Thursday, May 29, 1980
Part 5
University of California, San Diego. Yamaha 140 piano.
MATMOTW_503
Friday, May 30, 1980
Part 1
University of California, San Diego. Yamaha 140 piano.
MATMOTW_652
Friday, May 30, 1980
Part 2
University of California, San Diego. Yamaha 140 piano.
MATMOTW_653
Friday, May 30, 1980
Part 3
University of California, San Diego. Yamaha 140 piano.
MATMOTW_654
Friday, May 30, 1980
Part 4
University of California, San Diego. Yamaha 140 piano.
MATMOTW_504
Friday, May 30, 1980
Part 5
University of California, San Diego. Vorsetzer piano.
MATMOTW_505
Friday, May 30, 1980
Part 6
University of California, San Diego. Yamaha 140 piano.
MATMOTW_506
Tuesday, June 10, 1980
Part 1
University of California, San Diego. Yamaha 132 piano.
MATMOTW_507
Tuesday, June 10, 1980
Part 2
University of California, San Diego. Yamaha 132 piano.
MATMOTW_508
Wednesday, June 11, 1980
Part 1
University of California, San Diego. Yamaha 132 piano.
MATMOTW_509
Wednesday, June 11, 1980
Part 2
University of California, San Diego. Yamaha 132 piano.
MATMOTW_510
Wednesday, June 11, 1980
Part 3
University of California, San Diego. Yamaha 132 piano.
MATMOTW_513
Wednesday, June 11, 1980
Part 4
University of California, San Diego. Yamaha 136 piano.
MATMOTW_514
Wednesday, June 11, 1980
Part 5
University of California, San Diego. Yamaha 136 piano.
MATMOTW_511
Thursday, June 12, 1980
Part 1
University of California, San Diego.
MATMOTW_512
Thursday, June 12, 1980
Part 2
University of California, San Diego.
MATMOTW_515
Sunday, June 15, 1980
University of California, San Diego. Yamaha 133 piano.
MATMOTW_517
Friday, June 20, 1980
Part 1
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_518
Saturday, June 21, 1980
Part 2
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_519
Sunday, June 22, 1980
Part 1
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_521
Sunday, June 22, 1980
Part 2
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_522
Sunday, June 22, 1980
Part 3
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_655
Sunday, June 22, 1980
Part 4
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_656
Sunday, June 22, 1980
Part 5
Los Angeles Institute of Contemporary Art, California. Lester Spinet piano.
MATMOTW_523
Monday, October 20, 1980
Barb's house. Fischer piano.
MATMOTW_524
Tuesday, October 21, 1980 & Wednesday, October 22, 1980
Part 1
Barb's house. Fischer piano.
MATMOTW_525
Tuesday, October 21, 1980 & Wednesday, October 22, 1980
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_526
Tuesday, October 21, 1980 & Wednesday, October 22, 1980
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_657
Tuesday, October 21, 1980 & Wednesday, October 22, 1980
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_542
Saturday, October 25, 1980 & Sunday, October 26, 1980
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_660
Saturday, October 25, 1980 & Sunday, October 26, 1980
Part 2
University at Buffalo, New York. Weber piano.
1981
MATMOTW_527
Saturday, February 28, 1981 & Thursday, April 2, 1981
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_528
Saturday, February 28, 1981 & Thursday, April 2, 1981
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_530
Friday, March 27, 1981
University at Buffalo, New York. Weber piano.
MATMOTW_532
Thursday, May 14, 1981
University at Buffalo, New York. Weber piano.
MATMOTW_533
Sunday, June 28, 1981
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_534
Sunday, June 28, 1981
Part 2
University at Buffalo, New York. Weber piano.
1982
MATMOTW_535
Monday, January 4, 1982
Part 1
Fischer piano.
MATMOTW_658
Monday, January 4, 1982
Part 2
Fischer piano.
MATMOTW_536
Monday, January 4, 1982
Part 3
Fischer piano.
MATMOTW_659
Monday, January 4, 1982
Part 4
Fischer piano.
MATMOTW_537
Monday, January 4, 1982
Part 5
Fischer piano.
MATMOTW_538
1982-06-Unknown
Part 1
Rob's electric piano.
MATMOTW_539
1982-06-Unknown
Part 2
Rob's electric piano.
MATMOTW_540
Wednesday, October 20, 1982
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_541
Wednesday, October 20, 1982
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_543
Saturday, November 13, 1982 & Tuesday, December 21, 1982
Part 1
University at Buffalo, New York. Weber piano.
MATMOTW_544
Saturday, November 13, 1982 & Tuesday, December 21, 1982
Part 2
University at Buffalo, New York. Weber piano.
MATMOTW_662
Saturday, November 13, 1982 & Tuesday, December 21, 1982
Part 3
University at Buffalo, New York. Weber piano.
MATMOTW_661
Saturday, November 13, 1982 & Tuesday, December 21, 1982
Part 4
University at Buffalo, New York. Weber piano.
MATMOTW_153
Unknown 1
Part 1
MATMOTW_154
Unknown 1
Part 2
MATMOTW_155
Unknown 1
Part 3
MATMOTW_548
Unknown 2
MATMOTW_549
Unknown 3
Part 1
MATMOTW_550
Unknown 3
Part 2
ABOUT THE WORK
From 1976 to 1982, Tony Conrad (1940-2016) created “Music and the Mind of the World,” a piano composition comprising over 200 hours of recorded music. During this time everything Conrad played on the piano was recorded (with the incidental exception of perhaps three or four hours). In this endeavor – which includes the sounds of practicing, banging on the keys, formal exercises, experiments with the harmonic sonority of the piano itself, and even “On Top of Old Smokey” – we witness what might in essence be described as the total encounter between an improvising performer and the central instrument of Western musical culture. Now, for the first time, this influential yet largely unknown work has been published by Arcangel Surfware and is now available online for free at the domain musicandthemindofthe.world.
Me and My Piano: Music and the Mind of the World
May, 2010 Tony Conrad
In 1938, Arthur, my father, got a phonograph for Christmas. Maybe it was fancy for its time; it had a beautiful tall speaker unit, perhaps as tall as I am now, and the radio-phonograph was housed in the top of a blanket chest cabinet, separate from the speaker housing. Did I mention that the phonograph only played 78 rpm records? With re-sharpenable cactus needles? No, I didn’t need to mention that, because that was the only kind of record available in those days. Arthur’s wife Mary, my mother, liked to listen to the opera when it was broadcast from the Met by Texaco, every weekend, but other than that, she took a limited interest in music. I was born in 1940. When I was three or four, I got a little album of 78 rpm records for Christmas one year, and some kind of little phonograph that I could use to play them. It was really my first experience with music of any kind.
On the album, there was a sticker expressing the fact that due to wartime conditions the records were not unbreakable. I was careful with them. They were 7 inch records of classical music melodies: “Humoresque,” something from the “Nutcracker Suite,” an instrumental version of an aria from “La Traviata,” and so forth. Arthur’s records were almost all 12 inch 78s. When he played them, he would go into something like a trance, wave his arms around like a conductor, and obviously become transported. He had the Beethoven “Violin Concerto,” the Tchaikovsky “First Piano Concerto,” Brahms’ “Fourth Symphony,” “Gaite Parisienne” by Offenbach, “Clair de Lune” by Debussy—generally a whole shelf full of romantic music. When I hit fifth grade, I started violin lessons. I had a paper route, and I finally earned enough money one year to buy a cheap violin so that I could continue even after I left fifth grade.
In the 1950s I found myself taking violin lessons from a private teacher. I wasn’t practising very much, and I did pretty badly. Nevertheless, I was taking lessons, so at least I had some kind of contact with a professional world of music, particularly through this young man who wanted to help me understand more about music, about what was going on with music—because music had begun to affect me more and more profoundly. By now Arthur played the phonograph much less, and I played it much more. I got hold of Arthur’s phonograph, and I would play the Tchaikovsky “Piano Concerto” 78s at top volume, over and over, over and over to everyone else’s point of distraction. The recordings of Heifetz playing violin concertos were simply discouraging to me as a violin student, in spite of the fact that all of those romantic classical music records did make my heart soar; soar on the wings of youthful hormones, a big dose of loneliness and desolation (because we lived miles out in the country), and a profound commitment to the classical romantic idiom. I was very curious how all of this worked: how was music put together in such a way as to achieve the kind of effects that I was experiencing?
God help the young violin student who forever has to play all by himself without the supportive sonorities of another instrument. The thin keening of a solo violin, played without vibrato by a beginner, gives rise to many uncertainties—particularly in the context of a virtual comparison with Heifetz. Why, after all, should I practise, when to tell the truth, it was clear that I would never sound like Heifetz? I was so thirsty for sound to listen to, during those agonized adolescent years; I tuned in the radio to listen to faraway stations like WWVA in Wheeling, West Virginia, which was so much more romantic than the local country music station in Baltimore. I wished that we had FM radio like my girlfriend’s family. They had a piano, too. A nice hi-fi set, FM radio, and a piano were middle class luxuries that my family seemed unable to afford.
Arthur seemed unsuited to finding a regular job. He was, after all, an artist—Yale BFA, studied watercolor with Eliot O’Hara, worked in naval camouflage during the War—but landscapes and portraiture were in cultural decline. Almost everything in the way of regular work reeked of compromise. When he got occasional commissions to do portraits, it took lean months for him to complete the work. Mary picked up her career teaching French after us kids were old enough to be left on our own for a while, but I never really had any money while I was in school. Finally one Christmas Aunt Louise sent us kids as a gift a little red plastic phonograph that would play 33 rpm and 45 rpm records. Wow. I sent off coupons and joined records societies just to get the free record that was offered as an inducement. There is a sharp and desperate memory that’s easy for me to recover: I’m lying in bed in the dark with my ear pressed uncomfortably against the speaker, almost silently playing a 33 of “Scheherazade” on the little red phonograph.
Meanwhile, my violin teacher Mr. Knudsen had helped me to begin to understand something about the combination of notes that comprises harmony. Since I didn’t play the violin with vibrato, and refused to do so, bowing two strings together created a stark interaction between the two notes involved. When you play the violin your ear is very close to the instrument. Mr. Knudsen pointed out that many violin players became deaf in their left ear over the course of time; I have by now noticed this myself. In any case, while bowing two strings at the same time, I could hear very clearly a number of combination effects: different tones, beats, harmony and dissonance. These exercises began building into a great library of wonderful sounds, the first truly sonorous and plangent experiences I had ever found in the violin—playing harmonic intervals exactly in tune, and then later also retuning the violin to emphasize the magnificent resonance I found in these sustained intervals.
Miraculously, I was admitted to Harvard with a scholarship. One year I took harmony, hoping to get to the bottom of it. It was painfully difficult for me, because I didn’t play the piano and all. I couldn’t even read bass clef at first. The other students hammered their way through the exercises with fingers that fell into the pattern of the keys with practiced ease, while I sorted my way meticulously from one note to the next, hoping for the best. In the end, I didn’t do very well with this, but it became clear that the practice if not the theory of harmony (and probably both) circled around the piano like a vortex. I attended music events—new music, classical performances, and what we would now call “world music” talks and performances. I learned that the curious intrinsic structures of Indian music spiraled outward from the instrumental practices of the veena, and it seemed clear to me that the piano had played the same role in Western harmonic music.
Back home, my family had somehow outfitted itself with an old upright. What a priceless luxury! When I was home to visit, I could try out chords—even though there was really nobody there with whom I could play duets on the violin, should I have been ready to do such a thing. Everything converged one Christmas when my mother died. My father had died Christmas Eve the year before, which made the tragedy somehow more focused and intense. Parents, loss, memory, Christmas, romantic longings, the piano, and music as a recourse and solace for being left alone somehow in the world. It was 1976, and by this point I had already been improvising my own kind of harmonic music for almost two decades, so I decided to turn to the piano. The piano: the center of Western tradition, the embodiment of traditional discipline and practice, a great blank landscape I had never touched except to drift; the harmonic veil through which we all expected to perceive one another’s inner psychological life.
So I decided to record everything I did, every touch to the keys, and I called it “Music and the Mind of the World.” I was interested in the sounds of practising, of banging on the keys, of trying to hammer through old tunes that I knew, of formal exercises that might occur to me from moment to moment, and of course of the harmonic sonority of the piano itself. In relation to the piano as a physical instrument I had some history, in fact, in addition to my harmony course experience. While I was at Harvard I picked up an idea somewhere about a 19-tone equal tempered octave, and this stimulated me to appropriate an old piano that my friends dragged to my dorm room through the street. The tuning adjustments I made on it were extreme, and when I was done it hardly sounded like a piano at all. I had developed a voracious interest in tuning systems and practises by that time, further encouraged by my discovery of scordatura violin music, written for open tunings. I prized a copy of Alfred H. Howe’s Scientific Piano Tuning and Servicing. After I moved to New York in 1962, I bought a small Romanian cimbalom for $15 from Moses Blank’s decrepit music shop at 190 East 2nd Street. It was amenable to tuning, and this had been my plan until Angus MacLise used it in the (eponymous) film Chumlum, and thereby made the instrument irrevocably his own. At that time, as it happened, I was living next door to a piano factory, now long gone, at the corner of Ludlow and Grand.
Henry Flynt tried to get me to accompany him by playing some very simple blues riffs on the piano, but somehow I couldn’t really do it. The piano is a percussion instrument, and I had never played a percussion instrument before; my sense of rhythm, even on the violin, was limited, and the extended duration drone music that I customarily performed, at that time and since, is putatively the most arhythmic music ever written. It had impressed me greatly when my friend Angus, one day during our rehearsals at La Monte Young’s loft, asked me offhandedly if he could try out my violin. Angus was a great percussionist, but the violin is notoriously difficult, as I well knew, and I handed him the violin with a grain of salt, so to speak. Angus simply took up the bow and immediately began to play vigorously and with abandon; he was exciting to hear, it was excellent, and I understood that a percussionist could play anything. I had had a similar lesson from John Cage about listening: with sounds provided at random, the conditions were set for the listener to do the work of liking the music, whatever it might be. There might even be extraneous sounds, incidental sounds, unexpected techniques, different cultural approaches, selections programmed by someone else—as off the radio for example; in effect, anything at all. For me this fundamentally aesthetic challenge had been received as an entirely practical exercise. For years, following my exposure to Cage, I studiously tackled music and sounds that I didn’t like, modulating my preferences and prejudices willfully in the direction of liking, until even some of the most difficult sounds for me to enjoy became truly heartwarming and aesthetically trenchant.
Jack Smith, whom I met in 1963, represented an opposite philosophy to that of Cage. The pop sounds and dance rhythms he liked struck me as distastefully common, easy, and boring. But the pathway I found to liking them was psychologically smooth; the animating elements of nostalgia, familiarity, common practice, natural body rhythm, and singability somehow jumped directly across the conceptual gap that Cage occupied. So it was, that a decade and a half later, I began to see the piano as a fulcrum between the seductive elements of the Western tradition and the conceptual opportunities that remained for sonic exploration. In my pathetic practise, I could use the piano to reach out in the direction of psychological fulfillment and immediate pleasure, grasping at tunes, tone, melodic lilt, rhythmic seduction, and nostalgic nuance, while simultaneously veiling my presentation behind the screens of technical ineptitude, poor recording quality (which was inevitable, due to circumstances), and a kind of hopelessly nerdy outlook.
All of this is not to say that I didn’t by this time know a good amount about music and sound. In particular, I knew what the piano could do with single notes, repeated chords, the resonance effects of the sustain pedal, and simple note combinations that reflected my harmonic interests. I could make the piano fly, soar across endless space, make you close your eyes and see—by strumming, coursing across the keys, picking out a few surprises, and letting the voice of the piano speak loudly for itself. There are lengthy moments among these recordings that for me are a simple joy to hear. These keep me tethered close to the piece, but the more awkward and unlistenable segments are by far the most interesting. The problematic measure of presence in recorded music has been a constant source of irritation and inquiry ever since sound was first recorded at the end of the 19th century. Listening to early cylinder recordings, for example, we need to invest our full attentiveness if we are to begin to pierce the thick technological screen between us and the performance. With enough focus, something like the presence of the originating events begins to emerge, like the outlines of a garden as the snow melts.
At the end of January 1977 a dilly of a blizzard slammed Buffalo, just as Anne Turyn and I were driving in from New York. I had only recorded part or all of four cassette tapes, three of them within a couple of weeks of Mary’s death. She died Christmas Day 1976, and that afternoon I recorded the first piano tape, on the old upright that finally was a part of our family home in Baldwin, Maryland. I still didn’t have a piano, and I didn’t record again until May, when I was able to play on Anne’s family piano in Newton, Massachusetts. It was only in September, 1977 that I finally got hold of a Weber upright, which I kept at that time in a studio room provided to me by Media Study/Buffalo; by this time I had already recorded more than ten hours on other pianos.
Along the way, there were certain figures that I picked up and carried forward. There was, for example, “On Top of Old Smokey,” a folk tune that had struck me very much as a young person. Also, there appeared a kind of theme that persisted over the course of the coming years, a figure that alternated a chord in E flat with a G minor chord. Just a week before the end of the first year, on December 18, I gave the first public performance of my piano work. My trusting friend, Rhys Chatham, had invited me to participate at The Kitchen in the first New Music America Festival, New Music New York. The fact that I was almost completely unprepared was not an issue for me, nor was it an obstacle that I was completely insecure about what I was going to do. These aspects, I felt, were a central concern of the project, and should be foregrounded rather than veiled. The flip side of this, too, was implicated: the fact that I allowed myself undue confidence and self-assurance, especially in certain moments of the presentation. Everything at the level of the performance activity itself was to be legitimized; but for this to happen, it was essential that there be a range of material incorporated, from the familiar to the arbitrary, from the proficient to the diffident, from the novel to the trite, and from the decisive to the tentative. By so scattering the source material, I wanted to animate a level of confusion or consternation in the presence of which the listeners would be required to either slip off into a trance or to remove themselves to a critical distance at which they would receive this polymodal material as the product of a careful design, a gesture of reassigned musical values: a hypostatization of critical level in the direction of what was soon to be thought of as the “postmodern.”
But music flows through time, and it’s difficult to achieve critical distance in the course of live performance. I was expecting a lot, so I shouldn’t have been surprised when I didn’t get very much in the way of critical approbation. The scant response that my performance solicited was negative. The lack of response that predominated spoke to me even more clearly; I was on my own it seemed. So I began in 1978 full of confidence, but isolated in my practice.
About this site
March, 2017 Cory Arcangel
Tony would use two titles – Music and the Mind of the World and Music and the Mind of the Word – when discussing this composition, and decided to use World for this site. musicandthemindofthe.world is generated from audio found on 222 1/8th inch cassette tapes that he delivered Arcangel Surfware in September of 2016. These cassettes were sent to George Blood LP, and digitized at 32 bit, 96000 Hz. Upon receipt, each file – one for each side of a cassette – was listened to by the Arcangel Surfware team and cross-referenced with Tony’s notes written on each cassette. Tony’s notes contained information on the date the recording was made, and sometimes the location of the recording and the piano used. Some cassettes contained recordings made on multiple dates. On this site, Tony and I decided to break piano sessions on a single day into different parts. A part would be determined if a session spanned two sides of a tape, had clear recording breaks (given the fidelity of the recordings–Tony used different recorders– sometimes this was a judgement call), or had large sections of unrelated dialog (which was to be edited out). Once the session parts were determined via timecode, the audio files were run through a script that split them into individual files. These files were then mastered by Jon Cohrs at Spleenless mastering. Programmed by Familiar Design Studo, the site pulls from the spreadsheet complied by Arcangel Surfware. The website is a Jekyll site, hosted on Github pages with all of the .mp3 files being served off of Amazon S3. The sessions are also mirrored on Youtube. We hope you enjoy.
Change log
12-18-2021: Corrected typo, “222 8mm inch cassette tapes” to “222 1/8th inch cassette tapes”. Commented out Twitter bot (while I try to get it up again)
03-07-2017: Beta site up.
04-03-2017: Locations corrected matmotw_477-485. Location added matmotw_619. Youtube vids listed. Launch!
09-27-2017: Twitter bot launched.
Contact
info AT arcangelsurfware DOT biz
CREDITS
Music and the Mind of the World by Tony Conrad has been published by Arcangel Surfware.
Editing, copy-editing & transcription
Cory Arcangel, Gil Gentile, Elliot Kaufman, Amanda Schmidt
Archival programming & data manipulation
Henry Van Dusen
Archival audio services
George Blood, L.P.
Mastering
Jon Cohrs at Spleenless Mastering
Web programming & design
Familiar Studio
Special thanks for their support
Greene Naftali Gallery and Galerie Buchholz
© Tony Conrad Estate